Here We Go Again: Camp NaNo

Remember NaNo? Well, apparently they do a spring edition (and I think a summer one too), and I guess I’m on board!

I consider last year a success even though I didn’t win. I completed 31,882 words over the course of the 30 days that was November 2017, and it felt pretty damn good, especially now that those words are being put to use in Vacancy. So why not try again, eh?

The difference between November and April is apparently the April “camp” is a bit more laissez faire. You write whatever you want (of course you can do this during November as well) and you set your own goal which is appealing as fuck. I know I can complete 30k words, so I set my goal there. Not really challenging myself, I admit, but if I can succeed, and perhaps succeed again come July (and maybe at 40k?) then by November, 50k words should be easy peasy, right?

I plan to write these words on a new piece, the second in my nameless dragon trilogy (which is all saved under a folder called “Medieval Vampires” in my Google Docs which really gives you a sense of where my head was at years ago when I was brainstorming this stuff), while maintaining Vacancy, my blog, and a couple other side projects, but I think it’s doable. 1000 words a day is a nice number, don’t you think?

As an aside, it’s come to my attention that I’ll have been working on this blog again for six months when we head into April. There have been times when I’ve posted very little, and when I’ve posted every day, but she’s been in the front of my mind for a good half a year now, and that seems pretty solid, because what is a habit or practice without time?

And that, Dear Reader, is partially why NaNo doesn’t necessarily work to make you a better or more prolific (because those are two very different things) writer: you create a habit by doing it every day, but “it” must be sustainable. Vomiting out words to reach a numeric goal isn’t sustainable. But like, it has to work, right? Something has to!


This OnE WeIrD TrIcK Got My Motivation Back

Ew. I am SO SORRY about that title. That’s awful. But it’s true, there is one kinda odd thing I started doing maybe a week and a half ago that got me motivated to write more, and I’m going to share that with you now. But seriously, sorry.

So I have been on a slow but steady recovery from a bout of sorrow and grief, and it was super unfortunate that the place I was at in every word-related project I was working on at the time (my serial, my novel, and the book I was reading (A Casual Vacancy, lol I have a theme)) were all quite death heavy, but I knew I needed to push through on at least one of them, and Vacancy seemed the most pressing (Vacancy, my serial, not Rowling’s book which is, by the way, amazing). I needed motivation and inspiration, but from where?

I’m not proud of this, but I have a Pinterest. Hear me out. I both love and hate Pinterest. A link to a Pin should never come up in a Google search (Pins are the worst, almost never have any helpful info, and sometimes don’t even link to the actual image they’re showing!); however, the search feature on the site itself is pretty damn sweet. If you’re looking for actual how-tos or explanations, it’s a fucking crapshoot, but if you want images to create what the hipsters might call a “mood board,” this is where it’s at.

I don’t know why I didn’t think of it before, but I realized I could use this to my advantage with writing. I even had a “Writing” board already, but didn’t put this together til now. I was stuck on Part 1.10, afraid to push Lorelei into the seance, so I was floundering over the basement description and just wanted to look at photos of caves and lakes. As I mentioned, Pinterest’s search is surprisingly adequate at returning what you’re looking for (the catch is that you need to have an account to really utilize the site correctly), so I searched “lake underground” and I got what I needed.

So you’re wondering how this is different from Google image search, eh? Well, you can “save” Pins to your own “boards” for quick access later. I believe the original intention of this was to save links with eye-catching images, but somewhere along the way the users of Pinterest ruined it by adding and not maintaining links to actual sites, so there are a lot of pictures of cool crafts with no explanation how they’re done. But still you can save as many images as you want to a board serving some greater purpose. And you can modify the description of that image/link to whatever you want. It’s usually already a description of whatever’s there (or supposed to be there), but if I’m brainstorming or looking for inspiration, I replace the description with what the image inspires for me.

Pintrest save

You can do this for specific places, of course, but it would work equally well for characters, atmosphere, and of course writing in general to save non-image based links (there’s functionality to save anything as a Pin, so you could take, say, this post and Pin it, and if you’re a responsible user, you’ll get the link right).

Once you’ve saved some Pins, you can go back to that board for inspiration when needed. Here’s a quick example of something I might throw together for a character:

Kimber Board

Since you’re using this for personal reference, I don’t object to losing the written attributions for images by writing over the descriptions, and if the images actually link out properly, you will still have the sources, which is nice.

Anyway, that’s my quick and dirty one weird trick that’s been quite helpful to me these last few days. Maybe you all already do this? Maybe there’s a better site for it? Pinetrest sure isn’t paying me to do this while simultaneously dragging them, so any suggestions you have, I’d love to hear!

Vacancy – 1.11

Vacancy is an ongoing web serial. Find out more about it and start reading here.

V 1.11
The sound of the motorcycle impeded any conversation, but it was just as well since Lorelei would have had no idea what to say with her arms wrapped around Conrad’s waist as they bumped along the path through the forest anyway. After her first successful week at the manor, threat of death from above resolved, the office neatly sorted, and the dwarves checking out that morning, Lorelei thought to do a load of her own laundry when she found the slip of paper she’d been given by the old woman on her first day crumpled in her pocket. When she inquired what to do with it, Ziah told her it would be good at the bank in Bexley for the contents of a box.
“Whatever correlates to the number on there,” she’d pointed to a long sequence of numbers, letters, and symbols at the top of the note, “Ms. Pennycress is a bit…odd. She may have left tons of gold in there, or an old, mismatched sock.”
Conrad had been passing by when Lorelei told Ziah she’d never been to Bexley before, though she remembered the name from the station in the woods. He offered to take her as he would be headed there that evening to “stock up” on essentials for the apothecary.
And here she was, riding “rear admiral” as he’d called it when he told her to hop on. Only once did she squeeze him what she thought was too tightly when they hit a bump, still she was glad when they dismounted, unsure she could possibly sweat anymore.
She shivered when they entered through the cave opening to and came out in the quiet station, that same dizzying sense of nothingness all around her. The archway to Bexley stood ominously above them, and Ziah’s hesitancy to see Lorelei go ate away at her. She glanced at Conrad, calm and confident as he adjusted the bag strapped to his back. “Ready?” With a nod, they went though the archway, the same weightless feeling and shiver.
Before she saw anything, she heard it. There was chatter, the twittering of birds, laughter, and then light. They stepped out onto grass atop a hill in the center of a park. With the archway behind them, Moonlit Station carved into the bricks at its top, Lorelei could see out across the grassy field and beyond to a wrought iron fence and a densely packed street. When she spun to take it all in, she saw the arch again, but despite having come through from the station, she could now see through it to the rest of the park and a handful of other arches set atop the hill. Curious, she walked around to the arch’s other side. At the top of this side, it read “Blind Cape.”
With a shrug, she stepped through it to meet up with Conrad who still stood on its other side, but instead when her foot hit the ground, the friendly sounds of the park were swallowed into darkness, and she was she standing on a beach in the middle of the night, her stomach feeling as if it had just fallen out of her. An eerie baying sounded somewhere in the distance, and scrub bushes across the dunes rattled ominously as a violent wind whipped down the coast. She stumbled backward and the sunlight blinded her as she nearly tumbled down the hill.
A hand was around her arm, lifting her to her feet. “Yeah, so the Warlock General suggests not passing through an interdimensional portal more than seven and a half times a day, which is admittedly an inconvenient number, but we should try sticking to that.” Lorelei tried to return Conrad’s grin, but she was shaken and her heart was beating a bit too quickly for her liking. Also not to her liking was how it slowed when he released her.
The park looked remarkably ordinary at first glance. Well manicured grass in triangular patches was broken up by wide sidewalks, skinny trees ran along the sidewalks, mulched flower beds at their roots, and larger oaks offered shade in the grass fields. People walked by arm-in-arm with one another or with their leashed dogs. Only on closer examination, they weren’t all dogs, nor were they all strictly what Lorelei would call people. She wanted so badly to spin around and take it all in, but that had proven disastrous a moment prior, and gawking could give her away. She touched her face as if she could feel for the freckles the fairies had given her, trusting they were still there.
Conrad began sure footedly down a path, and she hurried alongside him, wrapping her arms around herself and staring unblinking in every direction. A couple walked hand in hand toward them, their skins in blotchy shades of red and purple, speaking to one another in a language Lorelei couldn’t even begin to place. When they passed, Lorelei glanced back to see their tails were also entwined.
“The bank is quite close, but since we don’t know what we’re picking up, we may be better off heading to the apothecary first,” he told her, and she agreed because really what else could she say, but she hardly hear him anyway, distracted by a blonde woman sitting on a bench and tossing handfuls of seed toward a bush where a gaggle of geckos, neon pink with bulbous eyes, darted out onto the sidewalk, slingshotting their tongues and collecting her offering before skittering away.
“I need to go to two places,” he hesitated, “and it might not all be as nice as this, I’ve got to warn you.”
As the reached the purple-rose covered trellis that lead them out of the park, a group of teenagers came barreling toward them on skateboards. Lorelei and Conrad flattened themselves against opposite sides of the trellis to make way.
“All right?” Conrad asked, chuckling at the look that must have been on her face.
“Those skateboards didn’t have wheels,” she was pointing after them as they zipped through the park.
“Those were tiny golden wings?”
“That’s great!”
Outside the park lay a real city. The streets were narrow and filled with people and people-like beings, though there were bus stops and a double decker meandered its way through the crowd. Buildings lined the roads fitting tightly together with the occasional dark and ominous alley, but their fronts were often colorful with signage that didn’t specify exactly what the buildings contained.
Questions exploded inside her head, every turn replacing an existing one with something new, chiefly among them Where are we? as it had become apparent to her through the weather and daylight they were no longer in the same state, or perhaps even country, as Moonlit Shores Manor–wherever that was–but she resisted asking, feeling as though Bexley might not be anywhere at all. Finally, she pointed to a sign hanging above a door that held no legible letters to her but a triangle, a star, and what looked like a hieroglyph of a cat. “What does that say?”
Conrad stopped, peering up at it, “I have no idea. Wanna go in?”
In the window, an aquarium tank full of eels packed tightly together, slithered all over one another. “No, not really.”
“Maybe next time then,” he continued on, bringing them down a number of streets identified by what what seemed like the scientific names of plants.
“So you come here often?” she heard herself asking like an idiot.
“At least once a month for supplies. Sometimes we come out on the weekends for dinner or to a show.” That we included the haughty woman she’d met at the manor, and she frowned a little. “Sometimes I just like to come and walk around, not that I have that much free time. Ah, here we are,” he guided her to a storefront with a spiral carved into a wooden plank jutting out from the door. They entered with the tingle of chimes into a tightly packed shop. The smell was both pleasant and not, clean and healthy, but stinging to her nose, but Lorelei immediately felt relaxed and the urge to buy something hit her all at once. Almost intuitively, the two glanced at one another, and Conrad raised an eyebrow at her, “Get used to that, most of them do it.”
The woman behind the counter at the end of the shop waved to them, and Conrad addressed her by name, letting her know he’d come for his pick up. She told him it was almost ready and encouraged him to have a look around while she double checked it.
A wall ran the length of the shop, filled with clear bulk bins. Their contents varied in color, mostly greens and browns, but a splash of magenta or teal stood out boldly from the rest. The labels were hand-written, and she read a few quietly to herself, Valerian Root, Mugwort, Knight’s Milfoil, noting a few that were marked only with symbols.
Conrad appeared over her shoulder, pointing at one of the bins containing a bright yellow, sand-like substance with a marker that only displayed a square with a line through the middle, “To mend a split. We use it to help broken things like bones, sleeping cycles, hearts.”
Lorelei giggled, but when he didn’t respond in kind she peered up at him; he was already pointing out the next container. “That we call lushberry,” the label was of a few stars in a circle, “Causes instant drunkenness if consumed. And this one is for curing that drunkenness.” That label had a sun on it.
“You sure know your stuff,” she commented, still worried he was joking with her.
“School wasn’t a waste afterall,” he sighed, “Tell my father that.”
Lorelei scoffed, “Your dad’s upset that you became a doctor?”
“Well, he’s dead, so he’s not anything anymore,” he laughed awkwardly, “but it wasn’t his first choice for me. Thankfully, he had my brother to follow in his footsteps already.”
“You have a brother?” she tried to sound hopeful.
“Had,” he scratched the back of his head, “Turns out secret societies aren’t all they’re cracked up to be. Or maybe they are.”
Lorelei contemplated telling him she was sorry for his loss, but she couldn’t get the words to come. Instead, she stupidly stuttered, “Dude, that sucks.”
To her surprise he burst out laughing. “Yeah it kinda does,” he cocked his head and looked at her earnestly, “but it also kinda doesn’t? I miss them sometimes, but they could be assholes. Now my mom, she was–”
“Almost finished!” the shopkeeper’s voice rang out from the back, breaking Conrad of his thought.
“Why am I telling you this?” he screwed up his face, running a hand over his stubble, “This must be so uncomfortable for you! Come look over here,” with a hand on her back he guided her to another shelf and started telling her excitedly about boils.
Lorelei took a small jar off the shelf as he spoke and inspected it. Through the clear lid, she could see minute, dried purple flowers and she untwisted the top of the jar to sniff. Suddenly she could feel every nerve in her body come to attention, and her eyes went wide as she felt a way she’d never felt in public before.
Conrad’s face changed, and he slowly took the bottle from her. As his hand slid over hers, a chill ran up her arm and into her chest, and yet her face flushed.
“Oh, that was–,” he quickly screwed back on the lid, and took a step back, “How do you feel?”
Her mouth went dry and she licked her lips, the sensation sending another shock through her, more faint, but troubling. She managed a whisper, “I don’t want to say.”
“Well, since you’re not vomiting, looks like you’re part of the 14.7 percent. Congratulations.” He winked, and she felt her face go deep scarlet, relief only coming when the shopkeeper called that she was finished.
When he paid, Lorelei had no idea how they would bring the load back, let alone traverse the city with it, but he put his small satchel on the counter and began filling it with the loot, and the bag never changed shape. When the last piece was slipped in, he lifted it effortlessly and slung it over his shoulder.
“That shouldn’t have surprised me,” Lorelei shook her head, and he chuckled.
Outside, they passed by a sweet shop that made Lorelei’s literally drool (“They do that too,” he told her), and a pet store with big-toothed puppies in the front window (“Completely herbivorous, I know, unbelieveable!”) “The next place we’re headed,” he gestured to the street they were on, “Isn’t exactly like this.”
“This,” she gestured up the street as well, “Isn’t exactly identifiable to me anyway, so…”
“Just stay close and try not to look so–” he looked her over, “so nice.”
She furrowed her brow and frowned.
“Better,” he squinted, “but I guess that’s the best you can probably do.”
They took another turn down a winding road, and she began to notice how the streets were more narrow, the building taller, leaning out over them and blotting out the sunlight. Fewer folks were about, but those that were skulked. Lorelei tried to skulk too, but had the instinctive feeling she looked more like she was scurrying.
Finally, they turned into a shop off a narrow alley that Lorelei had mistaken for a private residence from the lack of signage on the door. There was no bell when they entered, but a clerk was upon them almost immediately. “Number 52,” Conrad said to the man who disappeared without a word.
The place was dark, but strategic violet lights illuminated items. There were herbs here too, though she wasn’t close enough to read the labels, and jars filled with things she didn’t want to read the labels for. In the far corner an elderly woman sat in a rocking chair, her eyes locked on a book in her lap as her lips mouthed the words. Lorelei could just hear her whispers in the quiet of the room, punctuated by the rhythmic creak of her chair.
Lorelei took a step toward a shelf, but without a look or a word, Conrad’s hand wrapped around her upper arm and held her to the spot just up against him. When the clerk returned, they exchanged currency for a tiny vial, and only then he released her and they left. Back outside, neither said a word until they had emerged from the darkened parts of the city.
“I want to ask what that was about, but you’re not going to tell me, are you?”
“You’re better off not knowing.”
She knew he was right.

Table of Contents | Next Installment – Monday 3/26/18

Vacancy – 1.10

Vacancy is an ongoing web serial. Find out more about it and start reading here.

Vacancy 1.10 photoLorelei realized she had not yet been in the basement of Moonlit Shores Manor, and traversing that barrier down a creaking staircase at three in the morning didn’t seem like the most welcoming time to do so. Candles in their holders along the walls cast Hotaru’s and her own long, black shadows ahead of them as if they followed a set of robed figures. The darkness changed as they descended, more complete and quiet, and she could feel the ground rising up around her.

As they came to the narrow landing at the staircase’s end, a soft, violet glow met them, accompanied with a briney, wet scent like that of ocean air. Illuminated by splashes of blue, purple, and green luminescence crawling over rocks and sprouting from the midst of leafy foliage, Lorelei could see that the walls in the space they’d come into were cut from natural stone arching up above them to form a craggy ceiling. From the ceiling, stalactites hung, shimmering like icicles in the luminescence, and some even met the rocky places that grew up out of the ground, though she soon realized it was not an earthen floor, but water.

“Is the manor built over a pool?” Lorelei whispered, though her voice echoed into the cavernous chamber. Taking a step forward, she felt uneven planks below foot.

“I would call it more like a salty lake,” Hotaru told her offhandedly, “But you can swim in it if you’re brave enough.”

Lorelei knelt at the edge of the boardwalk where the water gently lapped at the planks. From the blackness below, she saw a pale orb rising up to the surface. She leaned a bit closer then, in the darkest depth that she could perceive, noted two eyes staring back at her own. She let out a squeak and jumped back, colliding with Hotaru. Water sprayed up at them, then there was a splash somewhere at the farthest end of the space, followed by deep, feminine laughter echoing off all of the walls.

“This way,” Hotaru giggled, gesturing for her to follow around the lake on the boarded path. Lorelei kept her eyes glued to the black waves, but saw no other movement. They came to an archway in the stone and found themselves traveling down a more traditional basement corridor, with block walls painted a soft grey and more sconces holding candles. Ahead, one of the many doors opened, and a tall shadow staggered into the hall. Lorelei stopped, nerves on edge, but the candles illuminated Conrad’s unshaven face. With sleep in his eyes, he yawned with a wave, “Morning, ladies.”

“Shut the door!” a familiar, annoyed voice shouted from deeper in the room.

He took his time reaching for the handle and gently pulled it to, avoiding both girls’ amused looks then joined them on their trek. Down the corridor and around the corner, they came to yet another set of stairs. Lorelei’s heart pounded a little harder as they descended, and she reached out a hand to steady herself as there was no railing. The wall was rough here and gritty as if the stairwell had been carved out of the earth. Lorelei had never been a fan of tight spaces, but the cool stone on her hands made her feel something different, and when she took a deep breath, she thought she could feel the manor breathe with her.

At the base of the stairs, they reached their destination, a room glowing orange where Ziah waited, tapping her foot. Grier was already sitting at a round table in the room’s center, leering at the door, his eyes locking onto Lorelei when she entered. Seamus and Ren conversed in a corner, the elf nodding solemnly at Seamus’s big, articulate motions with his hands. The space was warm, a few degrees beyond cozy, Lorelei reckoned, and there was a humming coming from the walls.

“That’s all of us,” Ziah turned to the only figure Lorelei didn’t recognize.

Shadowed against the furnace, a massive metal chamber encrusted in orange rust, a fire glowing from behind its mouth-like grate, a woman’s figure stood. She threw her hands into the air, spinning to face them and tilting her head to the ceiling. “I feel it!” her exclamation made each of them jump, “This place,” her accent was thick and southern, and Lorelei took a quick peek at her feet to check for cowboy boots, “it’s brimmin with life!” Point-toe, red-soled, nude pumps. Lorelei cocked her head.

“Yes,” Ziah spoke through grit teeth, “You said. Please, can we get started?”

“Started?” the woman snapped her head to stare at Ziah, “Darlin, there is no start, no beginnin, to eternity. Whether we cross the veil or not, the spirits are here.” She wore a ruby lip and cat-eyed, purple shadow, with hair, bleached blonde, surrounding her head in a perfectly round helmet. Lorelei said a silent prayer for the ozone then realized she’d done that before.

“I know her,” she whispered, sidling up to Ziah, “from TV.”

“Betsy Jo LaReaux,” the woman crossed her arms and popped out a hip, mimicking the pose Lorelei had seen in the opening montage of her show, “Clairvoyant to the Stars. You musta spent some time out there amongst my kind,” she winked at Lorelei, “The Charmed don’t like it, but simple human folk like me gotta earn a livin, and the spirits tell me everythang. Every. Thang.”

Lorelei gulped; at least the spirits hadn’t spoken of her secret yet.

“Betsy Jo can walk and work in both worlds. She’s exceedingly rare: a human with a charmed gift,” Ziah eyed Lorelei as if she were contemplating a new thought, then shook her head, “She’s the best, from what I understand, and she’s visited here before as a guest.”

“And I been itchin to come back,” she rubbed her hands together and glanced around the room, “Let’s all take a seat, shall we?”

Lorelei found herself between Hotaru and Conrad as they filled in around the table, Betsy Jo directly across from her. Their positions faintly resembled what she’d seen of seances on the couple episodes of Clairvoyant to the Stars she’d allowed to play in the background while doing other tasks, but the glitz was missing. Instead of the dark cloth draped over the table, it was bare wood, older and covered in knicks and scratches. There were no candles in varying sizes melting all over one another lining the walls, no purple and gold crystals reflecting the candle light, no massive crystal ball in the table’s center. But Betsy Jo was dramatic enough.

The woman threw her head back and her arms up, addressing the ceiling, “Spirits of Moonlit Shores Manor, hear my request. I beseech you, oh spirits, to assemble here this night, to wrap us in your protective light, and to present to us the truth we seek.”

Lorelei felt her stomach flutter. She always thought Clairvoyant to the Stars was a hoax, and yet Ziah had called her up to solve a very real problem. She glanced at the others around the table. Grier was still glaring at Lorelei from under a heavy, furrowed brow, Ziah and Hotaru beside him, both looking at Betsy Jo with a quiet suspicion. To Betsy Jo’s left sat Seamus, eyes twinkling as he apparently surveyed everyone as well, giving Lorelei a nod when their eyes met. Ren stared straight ahead at nothing in particular. Conrad, beside her, returned her look when she glanced at him, raising an eyebrow and gesturing toward the woman. I can’t believe it either, she told him, but only in her mind.

“By golly!” Betsy Jo exclaimed, slamming her hands against the table. She popped her eyes onto Ziah and huffed, “This place is fuller than a tick on a coonhound!”

“Well, many have lived–and I guess died–here over the last four hundred or so years.”

“And they come back,” she put a finger to her mouth in thought, “Even when they pass far away. This place calls to em. You’ve got to let me shoot here, for my charmed show!”

“Let’s see how this goes first, hm?”

Betsy Jo huffed, then sat back, “Alright, alright. Come on now,” she laid her palms up on the table and wiggled her fingers, “Ya’ll are gonna need to help, as I predicted.” Seamus immediately grabbed her hand, but she had to reach out and take Grier’s. When the rest did not rush to comply, she gestured with the hands she already held, nearly yanking Grier from his seat, “All ya’ll now!”

Lorelei looked to Conrad beside her hesitantly. He gave her half a grin and offered up his hand. She sat hers on top carefully then clasped down when she felt Hotaru picked up her other hand. When Ziah finally made reluctant contact with Grier, a spark flew through the group, zapping each in a wave as it traveled from Betsy Jo and back to her again. They were connected. “Now,” she gazed out over the table, “Do not let go.”

Their guide tipped her head back once more, but this time when she spoke, it was quiet, half in whispers, half inaudible. Gentle hisses filled up the room, riding on the hum of the furnace, until her one voice sounded as if it were many, layered on top of one another and coming from every corner. The others could hear it too, Lorelei confirmed, when they swiveled their heads to peer into the shadows at the edges of the room, but they followed Betsy Jo’s instruction, and she felt both Conrad and Hotaru’s hands tighten on her own.

Words began to form from the whispered sounds, each a fragment of something more, a “kitchen” or “hello” or “statue” rising up out of the sea of whispers each in its own unique voice none of which matched Betsy Jo’s, then fading back in. A chill ran up Lorelei’s spine despite the heat in the room, and a voice sounded just next to her ear, “It wasn’t me!” She jumped, but Conrad was holding fast and they did not break the circle.

As the voices became louder, there was a tinge of anger, blame perhaps, as they answered one another. Pieces of conversations floated around them as if the speakers were passing by. Lorelei thought she caught sight of a figure walking behind Grier, but when she turned to see it fully, it was not there. Another shadow flitted from the corner of her eye near Ren’s shoulder, and when she swiveled to catch it, there was again nothing, but Ren appeared paler, if possible, his eyes locked on the table, wide and searching.

The voices crescendoed suddenly, unmistakable now, loud and shouting. The bodies around the table all leaned forward, closer together, grips tightening, breaths held. Even Grier had lost the ire in his eyes and was panicked. Then Betsy Jo’s head snapped forward, her hair unmoving in its perfect halo, and her eyes fixed on a place just above Lorelei’s head, “There you are.”

The room plunged into silence in an instant, and Lorelei’s ears rung. Despite the orange glow, the room’s temperature had dropped, and if she had breathed, Lorelei thought she might see it.

“It’s okay, honey,” Betsy Jo spoke to no one, “I’ll help you. You can use me to talk to these nice people. Go on now.”

She snapped her head back, then gently dropped it forward again. Sleepy eyed but only for a moment, they popped open and she gasped, “No way!” Eagerly, she looked around the room, blinking, then down at herself, any trace of her accent gone, “This is too cool!” The look she wore disappeared, and her voice changed back to its failair southern drawl, “Don’t get comfortable, ya hear? I’m only allowin this so you can answer these nice people’s questions.” She gulped and nodded, her voice again dropping its accent and taking on a lilt, responding to herself, “Yes, yes, okay.”

As Betsy Jo looked out on them, they came to the shared conclusion she was no longer herself. Or she was a fabulous actor.

“So,” Ziah drew out the word, biting a lip, “are you our troublemaker?”

Betsy Jo shook her head, violently, eyes wide and unblinking.

“You’re not the one who made the chandelier fall or let the goats out?”

“Or unknotted all my ties?” Seamus piped up and the woman looked at him. “I, uh, have Arista pre-tie them all.” He grinned.

“Nu uh,” she shook her head again, then winced as if she’d been stabbed. Betsy Jo sighed, “Tell the truth,” in a scolding, southern drawl. “Ugh, okay, it was me!” she hung her head.

The alarm draining from her face, Ziah pursed her lips, “Well, why?”

“Cause,” Betsy Jo huffed, “I felt like it.”

The group traded looks, still holding one another’s hands though it felt normal now. Ren appeared composed again, and asked, “What is your name?”

“Samuel,” she ventured carefully.

Something stirred in Lorelei’s brain–a name, a face–but she couldn’t place it.

“And how old are you, Samuel?”

Betsy Jo’s eyes glanced around the table, and Samuel answered: “Forty nine.”

Ziah leaned forward, “How old were you when you…passed on?”

Samuel grumbled in the back of his throat, “Ten.”

“That’s a long time to be hanging around still,” Ziah offered cautiously, “Why are you still here?”

“I’m waiting for my mom and dad.”

A wave fell over the table and the cold felt different then, more empty. Ziah sat back, “Samuel, you could have hurt someone.”

“No!” he shouted using Betsy Jo’s voice, “I made sure nobody was around when I did those things! You didn’t get hurt, did you?” he looked directly at Lorelei.

She paused, then shook her head slowly.

“See, she’s fine.”

“Samuel, does Lorelei have something to do with why you’re…acting out?”

Betsy Jo’s eyes were staring daggers at her.

Grier laughed, “I knew it!”

Ziah glared at him, and he shut up immediately. She was careful how she went on, “Do you want to elaborate?”

“It’s just…that’s my fort, and she’s messing it up.”

“Your fort?”

“The room with the boxes,” he said as if they all should have known, “She moved everything.”

“The office,” Lorelei nodded at him, “I’m organizing the paperwork in there.”

“Typical,” Betsy Jo came back all at once, sitting up straight and arching a perfectly tweezed brow, “Construction and other big changes to living spaces really put a burr in their saddles, even the most casual hauntings. We can send Samuel to the other side, if you’d like. He’s not a particularly strong spirit, used up mosta his energy runnin all over hell’s half acre the last day.”

Though she clearly didn’t want the obstacle to her work, Lorelei felt a pang in her heart at that suggestion.

“That might be for the best,” Ziah offered quietly.

Suddenly panicked, Lorelei shouted, “Wait! What’s Samuel’s last name?”

Betsy Jo was quiet a minute, rolling her eyes back, “Winchester.”

She searched her mind. “Can I talk to him again? Just for a second?”

Closing her eyes, the woman sighed, then when she opened them again they were looking straight at her. There was panic in them, just like how she had felt a second earlier. “Sam, do you want to stay here?”

This time he nodded frantically.

“You know, if I finish organizing the office, there will be a bunch of space in there for you to play.”


“Yeah,” she couldn’t help but smile at the look Betsy Jo was giving her, even if it was an act, “But you can’t mess up the papers. And you definitely can’t drop heavy things from the ceiling.”

“I know.”

“Promise,” Ziah added, narrowing her brow.

“Yeah, yeah, promise!” Betsy Jo shook her head then blinked, “So what? No cleansin?” It was her again.

“I guess not,” Ziah shrugged and flashed a quick smile at Lorelei.

“Well, I ain’t givin ya a discount.”

Betsy Jo spoke to the manor’s spirits again, bestowing thanks on them and protection on the circle, and ended their communication gracefully. When finished, she released Grier and Seamus’s hands and placed her own flat on the table. She looked tired, if only for a moment, then pushed herself up to stand and began shaking hands.

Ziah touched Lorelei’s shoulder and leaned over in her ear, “Nice catch with the Winchester reservation.”

“Every year,” Lorelei sighed, “It must be sad for them.”

Betsy Jo took Ziah away then to discuss payment, and Lorelei lingered near the door while the others filed out, Grier now avoiding her gaze like the plague. Finally Betsy Jo broke off from Ziah and reached out for Lorelei’s hand. She was reticent to take it, but when she did, felt that same spark that had shot around the table.

“Oh!” Betsy Jo jerked as if she’d heard someone call her name. “Well,” she smiled, “they got a lot to say about you.”

Still trapped in her handhold, Lorelei attempted to lean back, but was only pulled in closer. “She won’t do it,” she whispered, “Trust yer gut, hun.” As if she read the look on Lorelei’s face, Betsy Jo LaReaux flashed her a dazzling red smile, “I’m bout as confused as a hen in a ping pong ball factory bout that too, but that’s what they want ya to know. Consider it a freebie.”


Table of Contents  |  Next Installment

A Nice Story About Death

I used to work for a company that did maintenance work on properties that were foreclosed upon and had become bank-owned. Our company contracted with vendors who would do lawn work and maintain the interior of these non-lived-in homes all over the country. Among other things, we also did clean outs of homes that the previous tenants or owners had left their stuff in for one reason or another, typically for the most depressing reasons. I didn’t feel particularly good about that work, but this post isn’t about that.

This post is about one particular clean out a few years ago. Crews would send photos of the interiors and the debris within before removing it so we could determine if there was anything of value–specifically something we called “personal belongings”–left behind. Of course, “of value” has a different definition in that world, and very few things (among them mostly irreplaceables like family photos or obviously expensive jewelry) constituted stopping a trash out and holding up the bank from getting their hands on an empty and marketable house. But one day a crew called me with one of those very few things.

Typically we identify this kind of stuff prior to beginning the trash out, and then put the whole thing on hold as when one thing is identified as a “personal belonging” then everything in the home falls under that jurisdiction, but in this case, the crew was halfway through when they called me. Dear Reader, you don’t want to get a call from your crew saying they’ve already brought a load to the dump and then found “personal belongings.” And you definitely don’t want them to tell you that what they found was a fucking urn.

To make this news doubly stressful, my manager was out of the office that day, so I had to go to another manager who I did not know that well for help. (This other manager had, in fact, trained me when I first started at this company, but I have always been incredibly forgettable most of my life, and she didn’t remember me though she seemed to remember literally everyone else. So I guess it wasn’t that I didn’t know her that well, but more that I felt very small and embarrassed that she didn’t know who I was and I had to do that whole introduce myself to her even though we’d met and worked together a lot already thing that only you other poor, forgettable fuckos understand.)

So I went to this manager, reintroduced myself, and explained my predicament. Her eyes went wide. “An urn?” she asked with both the horror and excitement of the realization we almost threw away human remains and now we’d have to deal with this. “An urn,” I told her with a solemn nod, holding back laughter because humor is how I deal with everything and this was, at its core, kind of ridiculous.

We shut the trash out down, obviously, and the manager set to contacting everyone she could in regard to the house in question. Somehow, through the long line of everyone who had handled the house thus far, she had gotten in contact with the former owner of the house. This was unprecedented as, in my particular position and department, we were typically very far removed from the former occupant of the houses. Talking with people who think you personally are taking their home from them is particularly terrible–I would learn this a year later when I picked up overtime by answering our emergency phones after hours and got yelled at and threatened by all sorts of people who didn’t pay their mortgages–but speaking with someone who has lost their house AND the remains of their family member? Horrifying.

So the manager called the woman (thank the gods) who was now residing on the other side of the country, and when informed we had found an urn amongst her abandoned belongings, do you know what she said, Dear Reader?

“Well, I thought we left someone behind!”

As it turned out, the remains were not human, but of the family dog, and we were all a little relieved this wasn’t someone’s grandma, but still, right? You see, a lot of people, when they’re foreclosed upon, leave behind a bunch of stuff sometimes out of necessity and sometimes out of spite. I don’t blame these people, I basically had a job because of this, but very rarely was something of this caliber discarded so thoughtlessly.

So the manager asked the lady what she’d like to do. This was, after all, all that was left of a beloved pet, and the family had already been through enough losing their home and packing up with little they could take and relocating, so we were willing to send the ashes to her–something we wouldn’t have done for any other belonging–and the manager was going to pay for it out of her on pocket.

But to our surprise she said no, and for a moment I was particularly upset and not just because I like animals more than people. First she forgets Fido, and then when given a second chance through an incredibly kind gesture, she blows it off! But her reasoning was thus: that house we found the ashes in had been the dog’s home its whole life, and that was where she belonged. Not tinned up on someone’s shelf or, worse, in the back of a closet, but there, at home. So she asked us if we could bury the ashes on the property so the dog could “watch over the house forever.” Those words will stick with me my whole life, Dear Reader, and I don’t think I will ever be able to tell this story without crying.

The crew completed the request and sent me pictures, digging the hole, putting in the ashes, filling it in, and even placing a handful of wildflowers on top of the spot. We sent the photos to the woman and received a heartfelt thank you. People who clean out houses for a living are incredibly tough, foul-mouthed, strong people. Often they lied to me because the system was a game and they needed to win so they played dirty, and to be honest I respected that, but I think in just about everyone’s heart there’s enough room to get it together to bury someone’s pet with the love and honor it deserves.

I like to think that even though she was abandoned for a bit and never reunited with her family, that dog is very happily haunting that yard to this day, raising the hair on the back of the mailman’s neck and chasing off the errant squirrel, and, pleased with a good day’s work, she curls up on the back porch every night to sleep. So yeah, I helped trash out foreclosed houses–I don’t feel great about that–but I know I did right by that ghost doggo.

Get Me Outta Funky Town

Funk is such a fun word, but put depressive before it and everything gets all fucky. Trying to get out of a depressive funk is rough. I’m not suggesting that I’m experiencing a real bout of depression that requires any sort of diagnosis or medication or therapy, but I’m definitely in the dumps. Motivation is hard to find, though I have had fits where I’m exceptionally productive as if all the productivity I should have during the day gets balled into an hour-long session where I run around the house cleaning EVERYTHING while simultaneously narrating an entire chapter to a project I haven’t touched in months. My body and my brain want to get back to normal, but they’re failing miserably.

But it’s probably not depression, or even just plain old sadness. What I’m dealing with is most likely grief, a term I’ve never given much thought to before now. Grief, specifically, as it’s the sadness that comes with death.

I find myself on the verge of and more easily persuaded into tears lately, and not at all wanting to engage with others for the same reason: the weirdest shit is triggering. I saw a cardinal on the way to the post office a couple days ago, and I was immediately blinded by a rush of tears. I really don’t want this to happen in front of someone, and, truthfully, I really don’t want this to happen AT ALL, so I think I’m sort of avoiding everything in order to just suppress it. And sometimes being alone feels really good.

As you may have noticed, Vacancy has taken a regoddamnediculously long and unexpected hiatus, and it’s hard to get back into the swing of things, but what makes it so much harder is that the next part has some death-related things going on in it. I can’t exactly skip those things, they’re integral to the plot, and when I just go work on something else, I feel guilty about not finishing this, so I am kind of languishing here. (And to add insult to injury, when I did decide to work on an older project, I picked up at a spot editing where I was just killing someone off and experimenting with my main character’s sorrow and reaction to that so FUCK ME RUNNING, HU?)

I had these plans of having a daily routine figured out by now, almost a month into our move, but that’s gone to hell. I literally have all the time in the world, but I feel the hours slip away like they’re nothing and the pressure of imaginary deadlines looming thick and fat over my head, but the joke of it all is there are no actual consequences? Which almost makes me feel worse because it highlights the crux of this feeling: nothing I’m doing matters because all the people I love will eventually die and someday I’ll be dead too, so what’s the point?? And maybe it never did matter??? But at least before it mattered to me.

But somewhere I know these things, the projects I want to work on, they really do matter to me, they just need to come out of me. (GET THE FUCK OUT, WORDS!) At least I hope they do. I mean, my fish aren’t dead yet, so no worries. I still feel something, so apathy hasn’t totally settled in.

I did find something very helpful to me, though. I’d like to share, but I want to stress that this is very helpful to me because it aligns with my personality and views on the world. It’s not everyone’s cup of tea, and I’d encourage everyone to find their own brew, but if you are dealing with the death of a loved one, grief, and pseudo-depression like I am right now, Caitlin Doughty’s Ask A Mortician series might be helpful.

I’ve always been intrigued by the physicality of death, and there was a short time when I thought I might want to actually become a mortician (but eventually realized I’m way too soft a person for this). I thought maybe my outlook was easy for me because I’d never really cared very deeply for anyone who’d died before, but I find that in my saddest moments now, these videos are incredibly comforting for me. She shows death for what it is: an inevitable end, but makes it a hell of a lot less scary and even a little less sad by dealing with the facts head on.

I don’t know what my thesis here is. I’m feeling particularly shitty, but I do think I’m getting better and doing so by seeking out resources that are tailored for me. I wish I had something better to offer you if you’re reading this and having the same issues, but maybe sometimes there really isn’t anything that can be said. Sometimes you just have to wallow in it for a little bit and then one day you won’t feel so shitty anymore and you’ll get on the treadmill and you’ll go to the grocery store like you’ve been meaning to and you’ll do the dishes and things will start to feel normal again.

Things I Just Don’t Fucking Understand: Mom’s Memes

My mom has a folder of memes saved on her computer.

If you noticed my absence the last week or two and happened to see my last post, Eulogy, you can probably put two together and figure out my grandma passed away recently. I traveled to New Hampshire for her funeral and to visit with my family. While there’s plenty to ruminate on there, I’d rather focus on something more lighthearted for now. And that brings me to my mom’s laptop and her folder of memes.

It’s here I should clarify a couple things for you, Dear Reader. One is that I am not an enemy of fun. I want people to have a good time and unabashedly love the things they love. As long as you’re not hurting anyone else, you do you. And two, I pronounce it “mem” like in re-mem-ber, not “meem.” It appears I’m wrong, but I wanted to throw that out there to see if anyone else might do this too.

I’m not entirely sure when the concept of the meme changed from a template image, captioned with slightly altered but relatable and reproducible text to basically any picture with writing on it, but it has, and that’s fine, but this expansion mixed with the boom in older adults utilizing more and more social media has produced a plethora of images that I, personally, do not find humorous. But my mom does. By gods, Dear Reader, does she ever.

While I was visiting her, I paid for my room and board with technology lessons. After answering questions that I didn’t really have the answer to, she opened My Photos. Here, you can see a preview of each of the sub folders. Mostly mountains and snow, but there was one folder, quite dissimilar to the others. The image was clearly compressed and not a photo so much as a solid white background, some text in a near illegible font, and a yellow, amorphous blob. Something in my brain seized at that, but she quickly opened a different folder from a hike she did two years ago and lulled me into a false sense of security. Dear Reader, I’ve seen 90% of her photos before. In fact, I’m in at least half of them, but viewing them with her is just another form of currency, and I’m glad to pay it. But then she confirmed my fear and opened it. The meme folder.

So I got up and started making nachos, because that’s the only thing a sane person can do in that situation. She would chuckle in the background. Increasingly loud chuckles. She was baiting me. “Got some memes there, do ya?” I asked, sprinkling Mexican Four Cheese onto a single layer of tortilla chips because that’s how you do it, Dear Reader: single layer of chips, cheese, another single layer of chips, cheese. Fight me.

“This one’s so funny!” she insisted, and then she read it to me.

Dear Reader, under threat of slow and painful death at the yellow-nailed and pigs-blood-covered hands of an inbred, cannibalistic, radiation-blasted family of the undead, I could not recall what the meme was because when I saw it, my brain shut down.

It’s this thing that happens when faced with something that I don’t agree with on a fundamental level, and I can’t muster the fraudulent expression needed to continue the conversation. I just kind of turn off. It’s basically what happens whenever I see one of these fuckos:

Then I am filled with a BLINDING RAGE and cannot be held accountable for my actions.

But I decided instead to try and make something of this. Why did I have such a reaction, and why was it so in contrast to her own? I avoid these things like the plague, she she, my own mother, the loins from which I was born, seeks them out and saves them as if they won’t be eternalized in the infinite cloud that is the Internet. And for her, someone who has tremendous difficulty on a computer, saving an image from the internet is not an easy task. But this, she learned all on her own! I had to teach her how to set up her bank account alone, but this was more meaningful to her! So I asked: What makes a meme worth saving?

She was quiet, the remnants of a good laugh still plastered in a smile on her face as she stared wistfully at the screen. Then came the reply, “I dunno! They’re funny!”

I know. Take a breath.

I tried to dive deeper into this: Was it that she liked the sentiment of the meme? Were they all similar in some way? Or perhaps she cared for the person who sent or posted them, or even the specific situation that person had referenced with the meme? Every time you see that one-eyed, yellow, banana-loving bastard, do you remember a very specific hike into the snowy mountains of New Hampshire?

“Yeah, I guess.”

She guesses, Dear Reader. And that’s a good enough answer, I guess, because really, no one has to justify their actions to anyone else, especially ones so incredibly insignificant, and especially in response to someone who isn’t doing real science, but I still felt perturbed not getting to the heart of the matter. Her inability to enthusiastically or even completely commit to that answer told me it wasn’t true.

So why does she think they’re funny, but I don’t? Why does she insist on showing them to me even when I say they’re not funny? It’s as if I’ve said nothing or, worse, as if I actually laughed, as she keeps offering another to me. “But this one has Garfield in it!” she tells me despite that the words attached to the image have nothing to do with lasagna or Mondays which just further boggles my mind: these memes are almost completely devoid of meaning beyond the images themselves. In no other context (or really even their own context) would they make sense which I thought was the core concept of a meme–that the image was recognizable and offered additional commentary on the text.

I don’t have an answer for these questions, just like I don’t know what that notification is that keeps popping up on your phone but it’s not there right now, so you can’t show me, but it pops up like five times a day and you can’t get it to go away except it’s not there right now. I can come to some conclusions about why I hate these things, and even some hypotheses as to why she loves them, but I fear we’ll never come to an agreement on them. I’ll forever be making nachos and she’ll forever be giggling at Snoopy drinking wine despite that he’s a dog from a children’s show.