CampNaNoWriMo: 50k Words And Winning

For the first time ever, I’ve won National Novel Writing Month. Yes, it’s July, it’s really just camp, and yes, technically the only thing I beat out was myself and the only thing I got out of this is a 90+ page document that I’m both exhausted and enthralled by, but wouldn’t really appeal to anyone else, BUT I FUCKING DID IT.

Camp-2018-Winner-Twitter-Header

10K  /  20K  /  30K  /  40K

Let’s get the stats out of the way first:

50k

My writing times were all over the place the last week. My mom was visiting, so I wasn’t able to devote myself to sprints like I normally would and did a lot of my writing at night instead because she conks out early. I did get a bit nostalgic, though, writing late at night in my room instead of on the couch or in my office-turned-guest-room because that’s how I used to write as a teenager: between nine and midnight, typing furiously into the silence that was my room when I should have been asleep. But I had more energy then, and I thought I was good, so the words came a bit easier. Ha.

First 10K – 426 minutes or 7 hours and 6 minutes.
Second 10k – 352 minutes or 5 hours and 52 minutes
Third 10k – 287 minutes or 4 hours and 47 minutes
Fourth 10k – 295 minutes or 4 hours and 55 minutes
Fifth 10k – 308 minutes or 5 hours and 8 minutes

I gathered a bit of steam with words 1-20k, and then averaged out the rest of the novel. I think I would have continued to improve, if only a very small amount, had my plot been better fleshed out further into the story, but as it stood I knew very specifically what the first 10ish chapters would entail down to exact scenes, then from there had a more vague idea. You can see too the “part” I worked on for the last couple days was the antagonists’ story. I intend to pepper in scenes of the baddies as the story goes, but had skipped those in favor of writing out the main narrative from beginning to end. The problem came when that narrative got a little muddy and I panicked–I didn’t have time to stop and plot, but I did have a better idea of what I wanted to go on with my antagonists, so the last about 3500 words are just evil-doers up to no good, written out of order. Also lots of birds. I don’t know, but it’s a thing; dark elves love ravens, and I don’t know if that seems cliche or not.

I have a bit of a dilemma now, largely focusing on this: the story isn’t done, and I already missed my Vacancy Season 2 self-imposed deadline. I think the wisest thing is to finish the first draft of my Camp project (its working title is She’s All Thaumaturgy by the way, I don’t think I ever mentioned, not that that will be the end title because I’m terrible with titles, and while I actually love this title it’s very unlikely it would ultimately be accepted by a publisher) because I am on a bit of a roll, and I think it’s good advice to complete the first draft and then put it away for a while. I think it would be too risky to set aside y current work with plans to come back to it just to finish up another, say 20k words later, then again sit it aside: I’ll be too tempted to edit and perhaps too removed from the story to jump back in. I do want to get back to Lorelei and co., but working on the podcast, at least, keeps me connected to those characters and their stories.

What I’ll probably do is push Vacancy‘s return to the beginning of September (the 3rd, I think). My niece is coming to visit in August for two weeks, so I don’t know what my writing time will be like then, but in the interim I think I can devote a couple days to plotting out the end of the novel, then a week or two writing it up, then I can pull out the plot for the second season of Vacancy I have sitting around here in one notebook or another, dust it off, and get a few episodes down on paper–er, uh screen–and be set up to go with that. I think??

Regardless, getting these words out felt utterly magical. I’ve never been so confident or excited about an accomplishment. Most everything else in my life I knew I would do: graduating high school and college, nailing job interviews, bleaching my hair, but this was frightening in a different way. I thought, if I couldn’t do it this time when everything else in the universe was aligned perfectly for me to write, then maybe I could never do it. Maybe the only dream I’ve had my whole life would always be just that–a dream–and I needed to let it go and focus on something possible.

But now I know it is possible. Fuck yeah.

P.S. While I was making sure I spelled Thaumaturgy correctly, I came upon this video. You’re welcome.

10k | 20k | 30k | 40k | 50k

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Camp NaNoWriMo: 40K Words And The Finish Line Is In Sight

10K Post
20K Post
30K Post

As excited as I am about hitting this mark and having less than 10,000 words left to write to meet my NaNo goal, it’s become abundantly clear to me that this book will be well over 50k words. That’s pretty typical for fantasy quests, and I’m not surprised (in fact, I’m excited about just continuing on and churning out words) it just makes the potential of hitting 50k a little less of an achievement and more of a marker along the way.

REGARDLESS, we are so damn close!

Even with me missing a few days while we had visitors (writing is a very solitary task and as hard as I’m working to turn writing into a skill it’s still emotionally draining), I sailed through 40k like it was nothing. Sprints are a godsend and treating writing like it’s a job is the way to go. Don’t wait for inspiration, wrap your hands around your muses’s neck and choke out the damn motivation!

I’m still not sure I’m getting particularly good prose, but I do know there are some gems on those 80 odd pages and the foundation for something pretty great. This isn’t to say I know this whole thing will be gold in the end, I just have quite a good feeling about it all. I’m not second guessing the plot or even getting bored of it, but discovering more about my characters and loving their journey.

Here’s what the last few days looked like:

nano 40

My sprints kind of fell apart today (also note I didn’t adjust for military time there at the end, oops!), but that’s because I kept having ideas that made me jump around the story. I’m not in favor of that in general (going back and adding feels too much like editing), but I’m at a place in the story where certain occurrences need to call back to other things, and I pop back to enter those details, even if only in a note.

For instance, in a very early chapter, my main character, Ellyson, looks out on a patch of trees and reminisces very briefly on her childhood. Later, in chapter 16ish, she tells a story about a specific tree, so I made sure to pop back up to that initial reminiscence and reference the specific tree so the call back is more meaningful. I don’t want the reader to hear about this very significant-to-Elly tree for the first time in chapter 16 because if there’s no basis to the tree existing for the reader, then it’s just a damn tree (and the emotions she attaches to her story feel fake). But if they saw her look at it longingly early on, even if they don’t know why she gave a shit about it then, the seed of significance was planted, so later it means more. Look at the fucking tree, Dear Reader. You can forget about it immediately, if you want, but you’ll fucking remember it when Elly tells you about climbing it.

First 10K – 426 minutes or 7 hours and 6 minutes.
Second 10k – 352 minutes or 5 hours and 52 minutes
Third 10k – 287 minutes or 4 hours and 47 minutes
Fourth 10k – 295 minutes or 4 hours and 55 minutes

So have I hit my stride? There is a part of me that likes to see some consistency, but of course I want progress. It should be noted that the further I go into the story the less specifics I know ahead of time. I know, for example, my heroes are about the head off to a bay city to look for some pirates, but I don’t know anything about the city except that it’s in a basin, and I don’t know anything about the pirates except that they’re not going to be exactly all they were cracked up to be (whatever the hell that is). This is hugely different to when I started out in chapter one when I knew right down to some of the dialogue how those scenes would pan out. I imagine if my plot were even tighter and better thought out this thing would be going by much more quickly. Plans for the future, my friends.

The next time I drop a camp update it should be about winning NaNo for the first time in my entire, ridiculous life, and I can hardly believe it. July’s been pretty good to me, so thanks, birthday month, you always bring surprises.

10k | 20k | 30k | 40k | 50k

Plotting v Pantsing

I’ve got a project that I’ll be working on in July (maybe for NaNo???), and for the first time possibly ever I’m sitting down and really, truly, honest-to-goodness-ly plotting my ass off. Now, Dear Reader, usually I’m the kind of writer who flies by the seat of her pants. A pantser, if you will. I know generally what the story is about, who the characters are, where they begin, and where I want them to end up, and I just figure out the middle bits (read: the actual freaking story) as I go. This works…okay. Well, if I’m being totally honest, I think I’m pretty lucky that it works at all, but it was something that appeared to work when I had lots of distractions in my life (i.e. a full-time job). But now that I can actually focus on my writing, I’m finding that pantsing is for the birds (and for those of you who say it works: I trust you to know yourself much better than I ever have or ever will know myself).

Here’s my theory of why I thought pantsing worked for me: When I was drained (physically, emotionally, spiritually, all the allys) and I didn’t write for a couple days (weeks, months, whatevers) I would eventually reach critical-writing-withdrawal and get an idea that I had to put on paper. I thought this was divine inspiration (and consequently all the stuff in between was writer’s block), and I’d go on a kick where I could bang out a few pages whenever I got a chance. I’d have a day off, devote it to writing, and then when I’d get stuck I could throw up my hands and say I just had to get back to adulting.

What I didn’t realize was that I was kinda sorta already doing all the plotting stuff that a plotter would do only I did it very, very poorly and only in my head while I was occupied doing other things like taking phone calls or doing laundry. So it was with my vague and disorganized plot that existed in pictures and random bits of dialogue being shouted by disembodied voices from one end of my brain to the other that I would sit down to work and inevitably get stuck trying to get my characters from their meet-cutes to their happy endings.

Sometimes I could work these things out. The scenes would come to me, problems would get solved (more often than not while I was sitting on the toilet), and stories would be kinda completed, but the work it took to get there wasn’t as enjoyable and certainly not as quick as it could have been. (I’m not saying writing doesn’t take a lot of time, but I do think a first draft should be completed in a short-ish time so your voice is consistent.) And if all the half-finished stories on my Google Drive tell you anything, it’s that your blogger does not always get her own happy ending.

So this time, Dear Reader, I am plotting. And hardcore too. Like three act structure, planning each scene, total character bios, world built enough to live in PLOTTING. I’m not under the impression that this plot can’t and won’t change–at the heart of it, writing is still writing and a story is alive and evolving until it’s published–but I am going into combat with the blank page pre-fucking-pared. I’m basically unwilling to let myself down, because really, that’s what all those drafts are: a little graveyard for all the characters I let down, and what are characters if not just a tiny piece of you?

Will it work? Who knows! But I’d sure like it to especially since I’ve got about five other projects I’d really like to actually complete and it’d be rad if I could nail down a good way to do it.

If you have a working method or have tried both plotting and pantsing I’d love to hear from you in the comments below! At this point, I will take all the advice I can get!

 

Preparing for Camp NaNoWriMo

Camp NaNoWriMo will be upon us in four short days. Dear Reader, I am psyched! Here’s how I’m getting ready.

Packed My Tent – Since moving, we’ve turned one of our two bedrooms into an office. I’ve got my desk in the back of the room, looking out onto it (so no demons or ghosts can sneak up on me, of course), and I’ve got a table set to my side holding important notebooks, my world’s “bible,” and my big desk calendar. That’s where I’ll be camping out.

Prepared For My Badges – I know I can write 30k words, I’ve done it before, and in the last couple weeks I’ve been ramping up how much writing I can fit into a day. Past success really is the best motivation which is kinda a bummer when you think about it because it’s a circle you almost can’t break into.

Practiced Relay Races – I’ve been working out regularly and intend to continue throughout camp. I find the time on the treadmill to be good for zoning out and letting my mind wander in my character’s world. Plus a healthy body can often keep a mind healthy, and the crazies are all too easy to set in on this journey.

Packed My Bags – And they’re mostly full of snacks. Seriously. I ordered two of those sample boxes from Amazon filled with protein bars and healthy-ish foods. Not that writing is a real physical thing, but if I’m on a roll, I don’t want to stop to make something, I just want to grab 200 calories of whey powder and chocolate and go! Similarly, I’ve been writing down recipes and cataloging my thoughts on them as they’re made and consumed, so I’ll be more decisive about what to cook for dinner. No hour of scouring the web for a recipe, everything will be planned out and set!

Prepared My Letters Home – My NaNo novel will be far from the only thing I’ll be working on in April, but one thing that I don’t want to compromise is Vacancy, so I’m getting every post for April queued up ahead of time. Just a warning, it gets pretty silly in the next couple installments .

But here’s where I’m a little stumped: Do I write out my camp itinerary? That is to say, should I outline? I’ve tried writing outlines in the past but usually I outline as I write so I can go back later and make changes without having to scroll through the whole document and guess at what I did. I typically get certain scenes in my head and have a good idea of where I want things to end up, with all the middle bits to be made up on the spot and heavily edited later. But has that served me well in the past? Or has that just lent itself to procrastinating? I know I succeeded (well, 30k succeeded) with NaNo last November because I had many of the episodes planned out, at least in general, ahead of time.

So my question here: do you outline? And if so, what’s your favorite method?